Travel Photography Photos tagged as maria
On ne sait pas lequel ...
séchoir et non s'échoir !
The Plaza de España, designed by Aníbal González, was a principal building built on the Maria Luisa Park's edge to showcase Spain's industry and technology exhibits. González combined a mix of 1920s Art Deco and 'mock Mudejar', and Neo-Mudéjar styles. The Plaza de España complex is a huge half-circle with buildings continually running around the edge accessible over the moat by numerous bridges representing the four ancient kingdoms of Spain. In the centre is the Vicente Traver fountain. By the walls of the Plaza are many tiled alcoves, each representing a different province of Spain. Today the Plaza de España mainly consists of Government buildings. The Seville Town Hall, with sensitive adaptive redesign, is located within it. The Plaza's tiled 'Alcoves of the Provinces' are backdrops for visitors portrait photographs, taken in their own home province's alcove. Towards the end of the park, the grandest mansions from the fair have been adapted as museums. The farthest contains the city's archaeology collections. The main exhibits are Roman mosaics and artefacts from nearby Italica. The Plaza de España has been used as a filming location, including scenes for the 1962 film Lawrence of Arabia. The building was used as a location in the Star Wars movie series — Star Wars Episode I: The Phantom Menace (1999) and Star Wars Episode II: Attack of the Clones (2002) — in which it featured in exterior shots of the City of Theed on the Planet Naboo. It also featured in the 2012 film The Dictator.
The procession has passed. Children go up and play in the left over sawdust. Some people stoop down and pick up a bit of the sawdust as a remembrance. In a minute the city workers will descend upon the remaining sawdust and sweep it away leaving only a faded memory.
After the Anda with Jesus and a few saints there is the Anda carrying Virgin Mary. There is little left of the alfombra, but they will make sure they walk over what is there.
You can see what is left of the beautiful artwork as the drummers behind the anda now cross over the alfombra. The colors are still there but it no longer resembles the image that was once there a few minutes before.
There is a strangeness about watching the anda of Jesus crossing over the face of Jesus. Did Jesus not sacrifice himself? This would seem a good representation of that.
The first steps of the and onto the alfombra. There is a sadness coming over me as I've invested lots of time to watch this one being created.
The very serious Roman guards make onlookers step back to make way for the Jesus anda.
After the Roman guards the cucuruchos process before the anda. These also will not be stepping on the alfombra.