Travel Photography Photos tagged as persian
Liked these imitation wall tiles in a Persian garden exhibition within Gardens by the Bay.
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, رضا عباسی in Persian, usually "Riza" or Reza Abbasi also Aqa Riza (but see below) or Āqā Riżā Kāshānī (c. 1565–1635) was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I. He is considered to be the last great master of the Persian miniature, best known for his single miniatures for muraqqa or albums, especially single figures of beautiful youths. Reza was possibly born in Kashan, where his father, the miniature artist Ali Asghar, is recorded as having worked in the atelier of the governor, Prince Ibrahim Mirza. Unlike most earlier Persian artists, he typically signed his work, often giving dates and other details as well, though there are many pieces with signatures that scholars now reject. He may have worked on the ambitious, but incomplete Shahnameh, now in the Chester Beatty Library in Dublin. A much later copy of the work, from 1628, at the end of Abbas' reign and rendered in a very different style, may also be his. It is now in the British Library (MS Additional 27258). His first dated drawing is from 1601, in the Topkapi Palace. A book miniature of 1601-2 in the National Library of Russia has been attributed to him; the only other miniature in the book is probably by his father. He is generally attributed with the 19 miniatures in a Khusraw and Shirin of 1631-32, although their quality has been criticised. Sheila Canby's 1996 monograph accepts 128 miniatures and drawings as by Riza, or probably so, and lists as "Rejected" or "Uncertain Attributions" a further 109 that have been ascribed to him at some point. Today, his works can be found in Tehran in the Reza Abbasi Museum and in the library at the Topkapi Palace in Istanbul. They can also be found in several western museums, such as the Smithsonian, where the Freer Gallery of Art has an album of works by him and pupils,the British Museum, Louvre and the Metropolitan Museum of Art. <a href="http://en.wikipedia.org/wiki/Reza_Abbasi" rel="nofollow">en.wikipedia.org/wiki/Reza_Abbasi</a>
<b>Norooz 1390 - Eid-e Shoma Mubarak</b> In harmony with the rebirth of nature, the Iranian New Year Celebration, or NOROOZ, always begins on the first day of spring. Norooz ceremonies are symbolic representations of two ancient concepts - the End and the Rebirth; or Good and Evil. The origins of Norooz are unknown, but they go back several thousand years predating the Achaemenian Dynasty. The ancient Iranians had a festival called "Farvardgan" which lasted ten days, and took place at the end of the solar year. It appears that this was a festival of sorrow and mourning, signifying the end of life while the festival of Norooz, at the beginning of spring signified rebirth, and was a time of great joy and celebration. =========================================================================== I CONGRATULATE TO ALL IRANIAN PEOPLE ANYWHERE AROUND THE GLOBE (MOTHER EARTH). ((Fara Residane Norooz-e Baztani Ra Be Shoma Va Khanevadeh Gerami Tabrik Gofteh Va Sali Pur As Salamati Va Shadkami Barayetan Arezoomandam.)) I HOPE IN THIS NEW YEAR [ 1390 ], YOU WILL HAVE A BEAUTIFUL PEACEFUL LIFE WITH GOOD HEALTH AND LOTS OF SUCCESS. EID-e Shoma Mobarak <a href="http://www.flickr.com/photos/kombizz/5543366875/"><i>Adamsi Flower</i></a> <a href="http://en.wikipedia.org/wiki/Nowruz" rel="nofollow">Norooz</a>
Five traditional gigantic Budgirs (windcatchers) versus two tiny coolair systems! As you would see in my image, there are 4 traditional gigantic Budgirs are erected by genius Persian engineers hundreds years ago. Then if you look closely you would see 2 tiny modern coolair systems on that roof. Unfortunately most of Iranian people who live in hot-arid climate use new modern technology coolair systems instead of using the old traditional Budgirs! http://en.wikipedia.org/wiki/Windcatcher The sad story is that majority of Iranian people refuse to use this beautiful traditional Budgir, and then few smart a*** people like Mr William Stranks invent a modern system based on Budgir and name it as "Monodraught"! http://www.monodraught.com/windcatcher/about.php I guess people do NOT appreciate what their ancestors made for them and follow the modern complex technology instead!!
Maranjob Caravansary which was built in 1012 A.H at a Silk Road detour is one of these golden-age structures. It is located in a 50-kilometer distance of Aran Bidgol city beside the Salt Lake and huge dunes. ========Caravansaries======== A 'caravan' in Persian means a group of travelers or merchants banded together and organized for mutual assistance and defense while traveling through unsettled or hostile country. Caravan trade is associated with the history of Iran and the Middle East. It is evident that all trade from one fertile area to another in this region had to be organized from the first, since long distances of desert trail separated settled parts and since local governments could not guarantee protection against tribes eager to loot and pillage. Such wares as jewels, spices, perfumes, dyes, metals, rare woods, ivory, oils, and textiles (chiefly silk) are associated with the trade. Camels were the main catties from Egypt and Iran to Mesopotamia and throughout the Arabian Peninsula. When you inquire the age of a caravansary in modern Iran, you are generally told that it dates from the time of Shah Abbas. This is a deceptive generalization and a term applied indiscriminately to all caravansaries built between the late 16th- 19th centuries AD. ....................................................... For more info check the following site: http://www.chnphoto.ir/gallery.php?gallery_uid=190&lang=en